Molten Metal Flow

Molten Metal Flow

Friday, 11 October 2024

HOWL - Rothko - Steve Parry




                                         








                                                          HOWL


  

ROTHKO AND STEVE PARRY
CAT NO. TRACEHWYLCD001

After being friends for over 20 years, with the occasional contributions to each other’s recordings HOWL is the first full collaboration between Mark Beazley (Rothko) and Steve Parry (Hwyl Nofio - Neu Electrikk).

Emanating from the sounds of a church organ, with many short pieces recorded by Parry in an ancient secluded church then embellished by Beazley, with his resonant based tones, electric guitar and electronics HOWL captures the senses of ambience, harmony, discordance and noise. Recordings of the church’s space, its hollow emptiness interspersed with the music.
The two long, resulting pieces create an almost ritualistic event of something taking place that is mysterious, uplifting and in parts…..unsettling.

The CD will be available from the Rothko Bandcamp page


and will be available on all the main streaming platforms.
For any further information please contact Mark Beazley 
mlbeazley@mac.com


ROTHKO

Mark Beazley has been releasing music under the name Rothko since 1999, on labels such as Lo Recordings, Bella Union, Too Pure, and since 2003 his own Trace Recordings label.
Creating music using mainly the bass guitar, Rothko’s sound is known for its darkly cinematic atmosphere and chiming counterpoint melodies.
He has collaborated with many artists; including Susumu Yokota, Jon Tye, Graham Dowdall [aka Gagarin] (now very sadly deceased) , JohnnyBrown and James Stephen Finn of Band of Holy Joy, Steve Parry [Hwyl Nofio and Neu Electrikk] along with many others.

STEVE PARRY

Steve Parry is a Welsh guitarist and composer, founder of the experimental band Hwyl Nofio. He co-founded the post punk band Neu Electrikk. He has recorded with Colin Potter of Nurse With Wound and also Matt Johnson of The The. 
Parry is a product of the South Wales Valleys, his formative years were spent living in the shadow of the Black Mountains in the town of Pontypool, amidst the scars of the heavily industrialised landscape.
His compositions frequently refer to the catharsis of childhood where he would sit beside his mother as she played the church organ on Sundays,as well as the larger surrounding environment.The constant drone and mechanism of the church organ fascinated him and the hymnal facets are to be found in his work.
Hwyl  Nofio was formed by Parry in 1997. It is an evolving assembly based around its originator. Parry refers to the approach of his music as a marriage of dilemmas being resolved in another space. The music explores and exploits a collision between harmony and disharmony. It gives the impression of being both dark and welcoming at the same time.
The band over the years have released seven albums. Parry is the only constant member along with invited guest musicians; including the experimental harpist Rhodri Davies, Mark Beazley of the instrumental ambient bass group Rothko, Danish fractal guitarist Frederick Soegaard, Hungarian guitarist Sandor Szabo and percussionist Balazs Major amongst other musicians. Collectively the musicians blur the boundaries of musical genres making the music difficult to categorise.
Parry has a longstanding friendship with Mark Beazley and their creative output has consisted of contributing to one another’s albums. 
HOWL will be their first collaborative project together.



The CD will be available from the Rothko Bandcamp page


and will be available on all the main streaming platforms.
For any further information please contact Mark Beazley 
mlbeazley@mac.com




Sunday, 3 March 2024

WOMB







THE LEGENDARY ALBUM BY STEVE PARRY AND COLIN POTTER. RECORDED IN 1981 AND RELEASED IN PHYSICAL FORMAT /LTD EDITION FOR THE FIRST TIME IN MARCH 2024

STEVE PARRY + COLIN POTTER

WOMB

Credits:


Recorded: (1981) at Integrated Circuit Studio,  Sutton–on-the-Forest, York & Wern Studio, York.

Field recordings (1981) by Steve Parry on a Sony portable cassette tape recorder. 

Engineered by: Colin Potter

All Instruments / sounds – Steve Parry & Colin Potter 

Produced by Steve Parry & Colin Potter

Notes: Instruments/devices used in the recording included; saw, plastic bucket and plastic tube, water, alarm clock, cotton rags, metal bars, electric drill, drum machine, bongo drums,  analogue synth & sequencer, field recordings, electric, acoustic & bass guitars, flute, keyboards, found sounds, comb &  voice.

All tracks mastered by Colin Potter at ICR, London 2021

Artwork concept: Jason B.Bernard & Steve Parry

Design: Oleg Galay 

© Hwyl Records / ICR

Peripheral Minimal Records 2023.

PM34

p 2023

A History of the Recordings


STEVE PARRY


Steve Parry:- “In 1981 I moved north to York having spent the latter part of the 1970s living in South London. During the time I worked with the likes of Post-Punk bands Matt Johnson/TheThe and Neu Electrikk. Neu Electrikk released two independent 45’s and contributed to The Some Bizzare Album. An album was recorded but not released. Neu Electrikk continued to be a fractious affair, ultimately the band self-combusted and went their separate ways. I had over the years created experimental sounds on an old reel to reel tape recorder – avant-garde, musique concrète – sounds of automata, damaged audiotape, noise, nature, everyday objects, the tape would be edited, looped, layered, played at various speeds. I built various stringed devices and developed a non-standard guitar technique that made use of prepared guitar (e.g. putting a nail file and screws on the strings, playing the guitar with pliers, meat skewers, nail files and a dinner fork) the key features being unconventional tunings, timbres, drone, distortion and noise – often  treating the guitar purely as a sound source rather than a musical instrument. In addition I developed a stringed musical instrument essentially based on the violin which is further linked to a series of effects pedals. The sounds are generally described as experimental / avant-garde music. Around this time I would visit Red Rhino, a local independent record store started by Tony Kostrzewa aka Tony K. Tony gave me the contact details of Colin Potter who had a small recording studio at his home in Sutton-on-the-Forest, north of York. The recording sessions for Womb took place sporadically over a period of a few months. I would enter the studio armed with all manner of traditional instruments and devices including; guitar, flute, Drum machine, home-built glockenspiel, bongo drums, a saw, drill, hammer, bucket, an alarm clock, Casio organ, metal bars, length of hose pipe etc. plus home recordings I’d made of birds and other sounds recorded on a portable cassette player – During this time Colin and I also recorded two tracks “Ssroi’asitjk” and “Later That Same Night” for what was to become Colin s album “The Where House” originally released on cassette in 1981. Womb remained unreleased other than a few cassette tapes given to friends. In 2014 I re-discovered the album master tapes while having a house clear-out. The Ampex 406 master tapes were severely damaged due to natural deterioration, the original tape had to undergo a time-consuming restoration process. Thankfully the project was salvageable and the music was transferred to digital. I must admit listening now to these recordings I am reminded of the creative surge and ebullient enthusiasm for making the music. It was indeed an exciting time. Since 1998 Steve Parry has recorded numerous projects as Hwyl Nofio.

Steve Parry. York 2021 


COLIN POTTER

ColIn Potter:- Back in the early 80s I had built a small studio in an outbuilding at my house in a village just north of the city of York. It was pretty basic, just one room with 4 & 2 track tape machines, a small mixer & a few basic effects units. There was also a Korg MS20 synth & SQ10 sequencer, a crude drum machine, a Casio keyboard & various guitars & microphones. Most of the work I did involved relatively conventional music, whereas I was more interested in something more unconventional. So I was very happy when Steve contacted me & asked if I would be interested in collaborating on an ‘experimental’ project. Over a number of sessions we tried all sorts of odd instrument combinations, sound sources & treatments. As it’s so long ago, my memory is a little hazy, but I think it’s fair to say that improvisation was an important element. I clearly remember that we had a lot of fun. When it was mixed, I don’t think either of us knew what to do with it, as it was unlike any other music that was around at that time. So it languished….

Due to various house moves, Steve & I lost touch & I eventually moved away from Yorkshire, my favourite part of the world. A few years ago, on a short holiday in York I wandered into a pub that I’d never visited before & there was Steve, who I hadn’t seen for around 20 years. Full circle. We decided that the lost album should be released & Steve had the original ¼’’ tapes baked & I’ve now remastered the original recordings. Listening to it was a strange experience. Many times I had to try to remember what some of the strange sounds were, or why we did this or that. The sound of convention & caution being thrown to the wind.

I’m glad we did it & I hope you like it.


Colin Potter, London 2021


WOMB is available from the following outlets:-


ICR Distribution

https://icrdistribution.com/

Peripheral Minimal Records  

https://www.peripheralminima